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Showing posts with label hachi. Show all posts
Showing posts with label hachi. Show all posts

9.14.2010

the red rock resort belongs to me.


Food is important to most everyone, but we all create our own connections to the experience of eating. Few of the most memorable meals of my life have been break-the-bank, once-in-a-lifetime gourmet adventures. Those are usually enjoyable. But the combination of the right environment, the right food and the right company makes for a powerful memory, and in my experience it’s been near impossible to engineer such a situation.

But I’ve done it, at least once. It was a Friday night in December. After a day of drinking and grazing on snacks at home, it was time for a late supper at T-bones Chophouse, a swanky if unfortunately named steakhouse at the Red Rock Resort. We began at the bar, slurping martinis and chewing on pretzel bread as friends began to arrive. I ordered dinner: the signature chopped salad, a shrimp cocktail, a petite filet mignon and garlic mashed potatoes. More friends arrived, and we slid from the shiny bar top to a group of high tables in the restaurant’s lounge area, setting up between the long double-sided bar and tall glass doors that lead to a beautiful patio overlooking the resort’s pool.

More arrived, soon we were all drunk, and our group had officially taken over T-bones. This was a gathering of our closest people, siblings, friends from out of town, friends stretching beyond a decade. It was the night before we got married. Drinks were flowing freely and there was an easy happiness floating around, and I seemed to be the only one eating. Somehow that made everything taste better. I took down the chopped salad after my almost-wife munched a couple bites before deciding to focus on liquid nourishment. The shrimp cocktail was quite fine and delivered in a block of oddly shaped ice; my brother examined it after stealing a shrimp and ended up breaking the thing. I continued to share, forking a tender bite of beef into the mouth of almost-wife’s best friend from back home in Colorado. She requested another, this time with a little more of the peppery red wine reduction sauce. I was happy to help. I was happy to be surrounded by my favorite people in one of my favorite places, and enjoy a simple, classic steakhouse meal. That doesn’t mean this restaurant is average, and definitely not mediocre. T-bones is one of the better steak joints in Vegas, which may be hard to believe considering there are so many, and so many expensive ones on the Strip. But know the food is almost always the same at these places, and a little extra luxury, creativity and convenience goes a long way. I’ve also had a terrific Scottish salmon at T-bones, and we returned for an anniversary dinner and feasted on a supreme foie gras appetizer, another steak with a gorgonzola crust, au gratin potatoes and some of the best short ribs I’ve ever had.

The Red Rock Resort is my favorite hotel-casino in Las Vegas, and I’m not alone on this one. A great steakhouse is just the beginning of a solid, occasionally spectacular restaurant lineup. The hotel rooms, casino design, bars, pools and lounge spaces are equal to or greater than what we see at the big properties on Las Vegas Boulevard, and the whole place has a casual, easy-access feel that creates exactly the kind of comfort I desire. It feels like it’s too nice, yet welcoming. When I check in at the Red Rock for a completely unnecessary fake vacation weekend, when I waddle into the fancy, central, rose-red Lucky Bar in tacky green-and-white swimming shorts and order a gin-and-soda, when I cap off the night before my wedding with a 3 a.m. stroll to the food court for a Fatburger with my almost-wife and two best friends from high school, I feel like I’m a bum who hit Megabucks. I feel like some bozo who lucked into some really sweet surroundings. And really, feeling like that is my objective. I don’t know if that’s the exact vibe the guys at Station Casinos were going for when they spent a billion dollars building this place, but that’s what they got. And I’m happy about it, and grateful.

Red Rock opened in the spring of 2006. It cost around $925 million. It resides in the heart of Summerlin, one of the country’s biggest master-planned communities and, up until this whole shitty economy stuff, the fastest growing suburban neighborhood anywhere. Red Rock marked Station Casinos’ next step up from the Green Valley Ranch Resort, another upscale neighborhood casino in another suburban community on the east side, in the city of Henderson. GVR opened with much excitement at the end of 2001, considered as the evolution of the neighborhood or off-Strip casino. (George Maloof’s Palms, famous for attracting celebrities, also opened that year and also was considered part of this new wave of hip joints beyond our most famous street.) Before the Green Valley resort, Station Casinos had upgraded and expanded its brand with the Texas Station (1995 in North Las Vegas), Sunset Station (1997 in Henderson) and Santa Fe Station (acquired in 2000 in northwest Vegas), all shiny, fancy casino-hotels with family-friendly amenities such as bowling lanes, food courts and movie theaters. These places became one-stop entertainment destinations for the thousands of families who had flooded the valley since the mid-1980s, places where the younger set could have fun while the adults would gamble. Their huge success built Station into a dynasty, a gaming company that would spar with and eventually overtake the other locals, Boyd and Coast, and join the conversation with the heavy hitters on the Strip. And when things were going great, brothers Frank and Lorenzo Fertitta, leaders of the Station family, decided to do something kinda crazy and build a new flagship, something that would rival those big dogs, only it would be way out west, in the shadows of the brilliant Red Rock Canyon. It would have a much more modern design, with rich colors borrowed from those vaulted desert mountains, chandeliers with millions of crystals, miles of onyx lining the walls, gold-leafed ceilings, and a shitload of other fancy stuff. It would have a giant casino with plenty of machines and tables, a massive sportsbook, and an intimidatingly cool high limit room. It would have awesome accommodations, unique penthouse suites, convention spaces, swimming pools, nightclubs, a movie theater and the nicest bowling lanes in Vegas. It would be the kind of place the Fertittas themselves would hang at, and so it was.

I’d like to write there will never be another place like the Red Rock Resort, that because of the recession that will forever change the way Las Vegas works, no one will ever spend many millions of dollars to build a supercasino in our neighborhoods. But it has happened. The $600 million Aliante Station opened in 2008 in an even more distant community, and at the southernmost tip of town, the billion-dollar M Resort came to life in 2009. In my world, those places don’t matter, because the Red Rock is mine. I grew up on the west side of the valley, I ran around the suburbs of Summerlin, and when I made my post-college return to Vegas in 1999, my ‘hood was still without a truly great place to play tourist, eat, drink and party. There were casinos: the Suncoast, and what is now the JW Marriott resort, living uneasily next to each other just off Summerlin Parkway. Both are an ill fit, a little low-rent. Then Red Rock came along and blew everything else away.

When the Station guys started thinking this over, design came first and food came second, and that’s right on the money. All those little (expensive) touches add up to create that too-nice vibe, and the details are everywhere. These are nicest movie theaters around. This is the nicest spa. These are the nicest bathrooms. This is the nicest hotel lobby around, especially because they don’t build hotel lobbies like this anymore, with grand circling staircases and a 30-foot-tall crystal chandelier hanging above the tiny lobby bar.

I’ve seen every type of hotel room and suite in the building, and I’m perfectly fine with the standard. It’s pretty badass: 42-inch plasma, Bose soundsystem with iPod dock, 15-inch LCD screens in the bathroom, one of the greatest beds of all time, and of course, robes and slippers. The colors are chocolate with some greens, oranges and reds, and your view is either the breathtaking canyon or the distant, shimmering Strip. But the suites get ridiculous, easily setting a new standard away from that Strip. Take a step up and you’ve got a couple 65-inch plasmas, big party-ready bars, private bedrooms, marble bathrooms with huge soaking tubs, all spread over about 2,500 square feet. If you manage to score one of the seven penthouse suites, you are a special person. Private elevator. The black, brown and blue one is called the One 80, because the view affords both the canyon and the Strip. The TV is only 103 inches. The sofa rotates. The green one is called the Canyon. It’s a bit smaller at 4,000 square feet. It has a private massage room. The white one has a pool table and two bedrooms, one of which has its own balcony and jacuzzi. The red one is Cherry, and it has survived the vomiting heathens of Rock of Love with Bret Michaels, season one. The shower is in the middle of the master bedroom, which seems about right. The TVs are not that big, but there is a 20-foot projection screen. The purple one is Lucky. There are more. Why are they here? So the Station guys can throw awesome parties up on the top floor? Unnecessary awesomeness is how you set new standards in Vegas. The centerpiece of it all is the “backyard” area. There is a large round swimming pool with a playful fountain in the middle, several smaller, rectangular pools branching away and a large shaded bar with blackjack tables and sexy cocktail servers. How can I describe a day at the Red Rock pool? It’s like you went to one of the hip hotels on the Strip and they didn’t let any assholes in. Even though marketing has tried to make money and douche it up out here, things have stayed relatively peaceful. Evidence: the Cherry nightclub closed down to make way for the more easygoing cabana club. Good move.

Food may have been ranked second in the grand scheme of things, but Red Rock’s restaurant offerings are definitely first among neighborhood casinos. Besides the exemplary T-bones, you have other standards that are quite serviceable (the Grand Cafe coffee shop, Cabo Mexican restaurant, Terra Rossa Italian restaurant, LBS burger joint, Yard House beer and food depot, and the Feast buffet), you have a miniaturized version of one of Vegas’ best deli-style restaurants right next to the sportsbook (the Bagel Cafe), and you have quite possibly the best casino food court of all time. Here’s the lineup: Fatburger, one of the best hamburger chains of all time; Capriotti’s, Vegas’ favorite sandwich shop gone global; the respectable fish tacos of Rubio’s; and then, you can’t win them all, so Villa Pizza, Panda Express, Ben & Jerry’s, Tropical Smoothie and Starbucks. Very formidable, all next door to the movies, bowling and bingo.

The best restaurant here is Hachi, billed as modern Japanese. It is criminally under looked in the local dining scene, reliably pitch-perfect and therefore more than deserving of my constant affectionate raves. The chef, who was recruited from New York specifically to open an off-Strip pan-Asian concept in Vegas (this is something that has never happened before) is Linda Rodriguez, a very nice lady from the Philippines who just happens to be the first woman to train under Nobu Matsuhisa. She has cooked in Brooklyn, Mexico City, London and Louisiana, and we are lucky to have her, and her partner/husband, Martin Swift. Their restaurant is edgy and awesome. Its main dining room is walled by a Murakami eyeball piece opposite a wispy, peaceful image of cherry blossom trees, and it feels good to eat sushi here. But the menu boasts so much more. Most people know Hachi for its LSD roll, with spicy shrimp and crab, tempura flakes and avocado, or its incredible 38 for Under $8 menu, which offers great small plates like veggie fried rice, spicy kabocha coconut soup, barbecued ribs and kushiyaki meat skewers for low prices. I love the four varieties in the sashimi sampler, especially the fluke tiradito, the perfect little square of braised short ribs on top of roasted apple puree, the kobe beef potstickers, the light, sweet crab salad with cilantro vinaigrette, and the tempura’d pumpkin. Everything is good here, creative, refreshing and delicious.

Hachi is my favorite place to eat at Red Rock, and my favorite place to drink is … still up for grabs. It might be that quiet, throwback lobby bar. Just upstairs, the amber Onyx Bar is a nice little nook, too. It’s exactly the kind of casino bar that is lacking in the other spots in our neighborhood, a comfortable place to sit and pay a few dollars too many for a good stiff drink while trying to talk your way into something you probably shouldn’t do. Maybe the best spot is back at T-bones, out on that nifty patio, sitting on a big circular couch swigging Hendricks muddled with cucumber and lime and making fun of the Summerlin cougars and their shiny-shirted husbands/male mistresses. It’s very nice out here, when things cool down at night and they’ve closed the pool for the day, and you could drink a little too much and start thinking about how nice it’d be to have a room tonight. It’s happened. When I visit the Red Rock now, and do stuff like this, I start thinking about living here. Permanent room service in my Presidential Suite … yeah, I don’t need the penthouse, I’ll stick to the one with his-and-hers bathrooms and just a 42-inch plasma behind the bar. That’s where I’ll have my final nightcap each evening, after my penultimate whisky in the lobby. Bagel Cafe for breakfast, then I’ll hit the pool. On a Tuesday. Fantasies are fun, but the reality is: this joint is 6 miles from my house, it’s one of the biggest and beautifullest resorts in Vegas, and it’s far more accessible than anything on the Strip. These are the reasons why it’s mine.

2.25.2009

hachi.

If I was creating the website for the Japanese restaurant Hachi at Red Rock Resort, I would call it ilovehachi.com too, because I love it. And this is after one meal. Love.

I had heard the cuisine of chef Linda Rodriguez was outstanding from several sources, but I was skeptical as I entered the fancy, modern dining room. After all, this is a non-steakhouse in a Station Casino, a setting typically reserved for mediocrity. Still, I have been excited to try it here, especially after we took over the Red Rock for a weekend in December but were unable to pry ourselves away from Cabo Mexican restaurant, T-Bones Steakhouse and the LBS burger joint.

And now I have a new favorite.

It looks and feels cool enough to be in any Strip hotel. I particularly like the warm, soothing colors and wall of Murakami eyeballs in the back of the dining room, which is much larger and comfortable than it appears from the casino entrance. But the setting means nothing compared to the food, which set a new standard for neighborhood dining with each arriving dish. I began with an unnecessary order of edamame and miso and followed it with a signature appetizer, crispy spicy shrimp, which sounds like something you could get anywhere. And you can. But here it actually succeeds in being super crispy, thanks to an invisible layer of tempura, and spicy enough. And there's plenty of shrimp in this $15 dish. The spicy kabocha coconut soup, however, is not spicy, nor does it need to be. It's a perfectly smooth and balanced blend of coconut and the pumpkinish kabocha, punctuated by salty, toasted pumpkin seeds. Speaking of pumpkin, there was a piece of it in the vegetable tempura plate, along with asparagus, broccoli, avocado, zucchini and shiitake mushroom.

Wifey, being anti-fish, chose a special of medallions of beef, tender and largely portioned. I couldn't decide and I didn't want to get full on sushi rolls, so I split between two more small plates and couldn't have been more pleased. Braised short ribs with a roasted apple puree was everything you expect short ribs to be, so soft that the breeze from floating a fork over the top collapsed the dense square of meat into shredded deliciousness. And most impressive of all was the sashimi sampler, four types of fish, each of them reminding me what this is supposed to be about: paper-thin shards of fluke laced with yuzu and topped with a single cilantro leaf and a dot of the most intense sriracha ever; Barely seared salmon belly; yellowtail with jalapeno in chili ponzu; tuna in a warm bacon vinaigrette with actual bacon and onions floating about. Sublime is the word that comes to mind. And we closed it all out with crispy, chewy, green tea and chocolate beignets with a caramel sauce that tasted of strawberries. Wifey: "It tastes like what's left over in your dish after eating a banana split."

Now that I've discovered Hachi, I may help keep Station Casinos from declaring bankruptcy. Only thing is, the food here is a fraction of the cost of the big boys on the Strip. And so far, it's better.

2.01.2009

INTERVIEW: Linda Rodriguez


Linda Rodriguez is executive chef at Hachi, the modern Japanese restaurant at the Red Rock Resort.


When the Red Rock Resort opened in 2006, Hachi was not part of the restaurant lineup. It took a little while longer to finish the restaurant up. How did that work?
Linda Rodriguez: Actually it was about a year before everything was set up, just a year. It was still dirt and sand when Red Rock was opened They just couldn’t find a chef to create a restaurant in time. But for me it was a good deal that it wasn’t opened by somebody else, that it was fresh and built right in front of our eyes. It gave us time to really prepare for training and staffing and menu development.


And this was your first adventure to Vegas from New York?
Yes, I came from New York. I had been living there almost 20 years. I was born in the Philippines and both my mom and dad are from there. I came to the States when I was seven years old. We traveled around, stayed in California a little while, and then my dad was stationed in Japan for three years. Then we came back to Florida, and from there I sort of headed out and worked in a lot of restaurants, from there to Louisiana. I was in New Orleans a little while, and it was there I started cooking. My experience before then was waiting tables, bartending. Not until Louisiana, where I worked for a classical French restaurant in Baton Rouge, did I get in the kitchen. There was a lady chef there who kinda inspired me. We got really close, she let me in her kitchen, and I started training there. She really pushed me to go to school, to go to CIA in New York. So drove all the way from the South up to New York and went to school. On weekends I would go to New York City since it was just a couple hours train ride away, and I really tried to knock on doors of really nice restaurants in New York and try to work for free. I saw a lot of exposure doing that. After school I had to go back to the city. I thought, why not stay? It was so vibrant, the food capital, and I moved in with a friend in the city and eventually found my place. I worked in a few places. My first paying job was at River Cafe in Brooklyn, under the Brooklyn Bridge. And after a couple years I heard about this Japanese restaurant coming called Nobu. Nobody knew it at the time. But I was able to get my foot in the door and I got a job at Nobu. Ever since that, I've been doing Japanese, ever since. And that gave me the opportunity travel to Europe and open Nobu in London in the Metropolitan Hotel. It was an awesome experience, and that’s where I met my husband. After London, I came back to New York and thought I'd stay with Nobu, but I ended up getting hunted down for my first executive chef job at BondSt. I was there for nine years. I also had the opportunity to go to Mexico City for two years and open a restaurant from the owners of Bond St.


You really have been all over, and worked in some of the most intense restaurant cities in the world. Has that experience made it easy or difficult to develop your own style?
It has helped me to cultivate my style a lot. With my classical French training and experience at a classical school, with working in Baton Rouge with a really great lady chef, and with my Asian background -- she was French Vietnamese, also, so she was cooking classical French in the restaurant but at lunchtime cooking Vietnamese, Chinese, Cajun, Indian -- it has given me this great base. Everything else came with that. I was very fortunate to have someone that really took me under her wing. A lot of what I do comes from her.


So how did you end up in Vegas at the Red Rock?
I was in New York. I was getting calls from Vegas all the time, headhunters. Usually I'd hang up. But I drew interest in this one because it's not on the Strip. We were thinking of doing our own place in Brooklyn. But it was really expensive. So we thought, let’s talk to Station Casinos. We had no idea what Station was. We talked to them, and they agreed to fly us over to check on the property in Summerlin and see Vegas. Last time I was in Vegas I was really young, and it was just desert. I didn’t remember much of what it was. It has grown so much, and it's especially beautiful over here. And it sure beats New York weather. We saw the property and talked to all the people, checked everything out, did research, and decided to take a chance.


What made you want to stay away from the Strip?
I'm just so used to local clientele. I've never been to the Strip, not since I was little. In my mind it was just a place for tourists. I never really knew how big it was over here right now. But, you know ... I wouldn’t work in Disneyland. I didn’t want to be stuck working in that kind of vibe. Finding out Station Casinos was more local, that seemed more attractive. And we have a lot of regulars.


Did Station always want a Japanese restaurant?
It was always going to be Japanese. I told them they were crazy. They wouldn’t listen to me.


Have you tried lots of Japanese and sushi restaurants around town and in your neighborhood?
We've hit them all, just to see how far sushi has gotten in Vegas. The difference is the East Coast is more traditional, while the West Coast is more...


California?
Yeah. and that did change our thoughts about what kind of sushi we were going to do. For a while, we were still feeling it out, but I think finally we're feeling it right now. Traditional is boring. It has to be fun.


So now that you're settled, what are your impressions of the restaurant and food scene in Vegas?
It’s definitely here. Maybe it's five years behind, especially with sushi. It’s weird. I never thought seaweed salad would sell here but it's selling like hotcakes. I didn’t think people would appreciate the different colors and textures, or the different kinds of textures in fish. I really didn't know if they would order it or not. Things are bit more exotic on the fish side at hachi, but we're introducing it slowly. It's not bad. We're trying to educate without being too pushy. In New York, you can put cod sperm in a martini glass and people would order it just to try it out. Here, you have to be more careful, ease it in a little bit, introduce it. Give it a try. It can be frustrating sometimes but I don’t mind it, because in a way we're kind of lifting up the community a little bit.


Where do you like to eat when you get a chance to try something new?
We mostly eat at Chinatown. It's pretty good. Thank god they have a Chinatown here. We found a couple cook places recently that we like in the neighborhood. Nora’s is pretty good. We wanna go back again. Marche Bacchus also is okay. Little by little we are finding places. We’re just simple people, too. We like to go somewhere the food is cooked properly. It doesn’t have to be foo-foo. I think Summerlin is missing a great bistro place. Most of time we eat Asian, Malaysian food, Thai food. Authentic Asian things are here, and for Indian food you can find a couple places that are pretty good.


What do you think is most unique about the Hachi menu right now?
The small plates are working out pretty good. We know we have to bend a little bit with the economy, so we really worked those plates out, the cost and the presentation. It gives people more tastes. You can order vive or six different things instead of just appetizer and entree. We don’t get to go out too much but when we do, when I find a good place, I know I want to try everything. So that's why we're doing the 38 under 8 menu. And we didn’t want to call it tapas. It's just 38 under 8 right now.



Is working in a big, beautiful casino resort everything you thought it would be?
I really had no idea. I was so green. I've never worked in a corporate or casino environment in my life. And I've learned a lot along the way. It's tough to get a light bulb changed. It’s corporate. You can’t just fire people like you used to. "I got to talk to who?" But I've learned a lot about that stuff, how to manage in the corporate world. My husband says I'm good at it but I just try to treat everyone right, go through the process. If I had to do it again I would really pinpoint everything so it wouldn’t be difficult. But so far I enjoy it. I really do. When we took this opportunity in a casino, we thought a lot about taking a risk, or what happens if don’t like it. Really, we are so lucky here because of the economy. If we tried doing it on our own in Brooklyn or New York, we'd be going through hardships like a lot of people. The casino draws people in, and they definitely help with advertising and PR. We are very fortunate to be in a beautiful casino like Red Rock.