INTERVIEW: Scott Conant

Scott Conant is executive chef at Scarpetta and D.O.C.G. at The Cosmopolitan of Las Vegas.

So you are days away from opening in Las Vegas...
I can't believe it. It's crazy. I've had my team on the ground and I've been in L.A. lately, because we just opened in Beverly Hills. But I can't believe it is here.

We know Scarpetta was originally slated to be in Fontainebleau, and now of course, it's at the Cosmopolitan. How long have you been looking at Las Vegas?
Yes, I had a deal with Fontainebleau, and when that fell by the wayside we had the opportunity to talk to Cosmopolitan. When I was talking with the CEO (John Unwin) it became clear that I would be crazy not to do business with this guy. He's a great partner and he's very passionate about his product and the brands he aligns himself with. He seemed really enthusiastic about having Scarpetta, and when we saw the size and space, we thought it was too big and we were worried about losing the soulful aspect of what Scarpetta is all about for me. This will be the fifth restaurant. We have a product we know works, and we really like to focus on the positive aspects of it moving into any new location. So we decided to cut it in half, and put the D.O.C.G. wine bar in there. Now we've got 150 seats, which is manageable, and we will have two brands there. And opening in Vegas, yeah, it's something we've been working with for a while now.

How do you feel about the buzz that's been building for this resort? Cosmopolitan talk is becoming something of a phenomenon since it's another big, new place on the Strip opening in these rough times for Vegas.
It feels like there has been a little buzz. Developing things has been a very exciting experience, getting ready for Vegas. Maybe the best part has been spending time with (the other Cosmopolitan) chefs and restaurateurs, picking each other's brains. It feels like a fluid concept. I think the customer experience will be a great one here. And among the different restaurants, there is a real sense of camaraderie and community. With everything that's been going on in Vegas, it is a little scary to open a new resort. There is a little fear attached. But we all feel like we're in this together, we want this resort to win.

What is the concept behind D.O.C.G.?
The name D.O.C.G. (Vino a Denominazione di Origine Controllata e Garantita) in Italian stands for the highest quality in wine, so that's the reason for the name. It's guaranteed quality. What will you eat there? Pizza, baked pastas, fun stuff. It's not meant to take itself too seriously. It is there to make people happy, and not everyone wants to go to a high-end restaurant every night. It's about creating something that has value for the customer, something that may be lacking in Vegas. I saw what Todd English did with his pub (at CityCenter) and that excited me.

Will Vegas' Scarpetta be different from New York's?
I always say there's really something that works about it, and I'd be crazy to change it. There will be plenty of things that will add some Vegas style, like the view of the Bellagio fountains, which is very cool. There will be a chef's table and two private dining rooms. It looks exciting, it looks Vegas, the colors are a little different, but the overall feel and soul of the space is the same. Each location of the restaurant has that, and it's all about the quality of the staff I surround myself with. It's not me, it's we. We have a great team, and the soul comes from the knowledge of the people around us. It works. So far we've been able to really capture it in different locations. A lot of the feel comes from the rustic elements in the design, woods and leathers. It's kind of urban Milan meets rustic.

Italian cuisine on the Strip is a very crowded field. How will these restaurants set themselves apart?
There's a lot of great Italian restaurants in Vegas. Our product is a little more unique. What we do is offer those modern components without sacrificing full flavor and approachability, and that balance kind of sets us apart. There's also a benevolence between Italian restaurateurs, which helps. But yes, there are dishes we are known for that set us apart, definitely the spaghetti with tomato and basil, which seems to follow me around quite a bit. Also the polenta. These sound like simple dishes. But that's what it means, what Scarpetta means is to grab a piece of bread and sop up what's on the plate. That's the kind of satisfying experience we want customers to have.

Is there a focus among the restaurants at Cosmopolitan to attract locals down to the Strip?
Our goal is to be inclusive. We don't want people to feel like this is a place you go to only once in a while. We have very approachable dishes on both menus. Scarpetta is fluid enough that it could be a special occasion dinner, but the food is not excessively rich, so you could go there once a week. I want to make the prices sensitive to the market, too, not just to tourists but also to people who are here and want to go out and enjoy themselves. I feel like that is another goal of the resort.

You are all over the place, on TV, doing cookbooks, opening restaurants left and right. What else is coming up?
Knock on wood, Bevery Hills is going great. Really our main goal is to always make these restaurants the best they can possibly be, to surround myself with the best team members and make sure everyone has the same goals in mind: to make people happy, make great food, and keep the ambience in line with the experience and the menu. That always requires effort, and to stay relevant on top of all that is pretty tough. I have had a good share of success but that doesn't mean we can't get better all the time. I do give a lot of effort and I love what I do, and I have so much fun teaching younger cooks and chefs as well as learning from all the people we work with, and implementing their experiences into what we do on a daily basis. Ultimately, a better customer experience is the goal.

INTERVIEW: Alex Stratta

Alex Stratta is was executive chef at Alex and Stratta in Wynn Las Vegas. He previously operated the former Renoir in the Mirage.

 What is new at Alex?

Alex Stratta: About two months ago we changed the menu format a little, bringing in the new market menus. So that makes our format into three different categories: the tasting menu, the prix fixe and then market menus, which are limited offerings. We made it so that instead of swinging between a whole bunch of stuff, we're really focusing specifically on the market, that's what's driving everything. And the cherry on top is that we change it every day or so depending on the markets in L.A. I met a lady who’s a forager. She's been working for 20 years hooking up small growers and farmer's markets up and down the California coast, really finding the best of the best. It's stuff you've never seen before. It's stuff I’ve never seen before, like fingerling limes, which are black on the outside, and the inside is like little pearls of caviar. It's a special citrus, and we're finding stuff like this, so exclusive it's basically grown in someone's backyard. So we're finding ways to feature things like those. We get a couple days advance to plan when we get the list of what's coming. It's really motivating my chefs and helping the development of this program, which is all about creating an exceptional and unique experience.

Working with farmer's markets is not necessarily new to Vegas restaurants, although it seems to be catching on quickly on the Strip. It sounds like these market menus are a little more exclusive.

It's definitely ultra-specific. We are one of her few accounts. It gives us the flexibility of doing whatever we want and changing whatever we want to. We can take ingredients like these and either keep it simple or put them in an unusual combination, maybe with a rare type of seafood. We can find incredible cherries from one farm, endive from another, and maybe you'll have them with grouse from Scotland. Whatever we are working with, we are keeping it within the scope of the cuisine. We don’t veer too much from basic French and Italian tradition. I will introduce Asian product but it's always executed with classical technique and the same thought process. Every chef says "I put my own spin on it," but really what we're talking about is getting back to basics, getting the best ingredients in their season done as simply as possible.

Has that thought process or mission changed over the years, or did you change your mission when you came from Renoir to create Alex at Wynn Las Vegas?

That's an interesting question. I think the mission has become even more solidified. When I first came to Vegas to work with Mr. Wynn at the Mirage, what I wanted to do was the finest, high-end, European-style fine dining. I was talking about five stars, and he wasn’t very aware of that stuff. He was introduced quickly when his hotel got five stars. But I told him that’s what I wanted to do, and through the years we went through everything and really accomplished the goals we wanted to achieve. When I heard he was opening this hotel, I made a phone call and said, "If you are doing fine dining there, I’m your guy, I want to take this to the next level." And of course, we were speaking the same language. We both wanted to outdo ourselves. We needed a bigger, grander stage than Renoir. Alex provided that. We were off and running as soon as we opened in May, We got our five stars in September or October, just knocked it out of the park. I give the credit to the staff but also to Mr. Wynn’s commitment to what we were doing. It's just getting better and more refined now. Business is starting to pick up again. Everybody took a beating last year, especially in high end. It was a challenge. But luckily, we have the Wynn brand and that gives us opportunities. And I have a tremendous crew. Devin (Hashimoto, chef de cuisine at Alex) has been working with me for many years now, and he has developed his own style within what we do. The repertoire has grown to full, we work on ideas together, and the process unfolds naturally. It's great. It's so important to have other ideas, and when you have guys like this working with you, you can’t say no. The enthusiasm we have is just getting better. 

Is it difficult to maintain a balance between fine dining at Alex and the more casual Italian restaurant Stratta when both are on the same property? 

At first I tried the balance but I soon realized they are two different animals and have to be approached in completely different ways. My involvement, the basics of quality food and service, genuine hospitality and efficiency, all that is the exact same language. But as far as what we’re doing and why we’re doing it, what Alex means to the hotel and what Stratta means, there are two different dynamics. For me as restaurateur, as chef, it teaches me a lot. I'm still sticking to my basic fundamentals, focusing on ingredients and consistency. But as an entrepreneur, you're talking about a restaurant that does 12 million a year and 600 covers a day versus one that does 5 million at 70 or 80 covers a day. We have had times when we've done 70 covers at Alex and made as much as doing 500 at Stratta. But it's always about hospitality. For me, it’s the same passion.

Were you concerned with the transition from fine dining to the lower price point and different dynamic at the Italian restaurant?

I’ve worked in fine dining my whole career, and that’s what people are expecting when they come to my restaurants. For me, it was just showing flexibility, maybe a lighter side, and not taking myself too seriously as a chef. Not everything has to be this whole process of "let’s see what I can do to push myself to the fullest." What is it that people want to eat? What if I could create that place that would be the place go to with family if you just want a pizza? I think a chef has to have room for that in his repertoire. A lot of chefs are doing casual now, but I didn’t do it because of everybody else. It was an opportunity to show it's not all about foie gras and truffles all the time. Whether it's a coffee shop or fine dining, you have to have the basics in order to diversify and grow. I was executive chef at a hotel that ran nine restaurants, so I had that diversity in my background. I kinda wanted an Italian version of Alex at a little more casual level, but as we understand the guest, people like stuff they are familiar with, so let's do the best representation of that familiar food we can do. We came to a happy medium, and the place is incredibly successful.

Some Vegas chefs have a hard time finding that happy medium, being able to do what they need to do while still addressing the taste level of the guests. 

I certainly didn't think I'd ever be doing chicken alfredo pasta, but you know, I have no problem giving people what they want. Just do it well. I think it comes with maturity as a chef. And I get to have it both ways. I can get my kicks at Alex. They are two different worlds, and I'm proud of what we accomplish at both. I'm very proud of the service at Alex.

You've been in Las Vegas for 12 years now. What do you think is coming next?

On a micro level, I’d say more late night dining availability. A lot of places can look to the success and formula at the hotels that have that energy between nightclub and restaurant, like we have here at Wynn and Encore. Stratta is open late and does very well with the late-night crowd.

You probably have not had the time to explore restaurants at CityCenter, and now we've got the Cosmopolitan opening soon.

Citycenter, I have not been focused on at all. But I have twin 3-year-olds, so anything outside of work is, you know, headed that way. But I do know the food and beverage director at Cosmopolitan, who came up through ranks with me. I know what they’re trying to do over there, and I think that team is going to be very strong. They have a very organic approach to the whole thing. They're bringing in Jose Andres and Scott Conant. They are both the real deal and they will put out great restaurants. They’ll do well. I don’t know about the hotel, traffic, flow, all those things I couldn’t predict. I'm sure they’re on pins and needles. It's a good time to open and a bad time to open. Without a lot of people coming through, you can really get your wheels going, but you're not going to hit your numbers. The short term thinking would freak you out, but long term, it’s a good thing. You can pace yourself, and you can change things quickly. But I think Cosmopolitan will be a nice addition, a complement.

So where's the dining hot spot for twin 3-year-olds?

You would think we wouldn't be able to go eat at a lot of places, but they’re very adventurous. They eat sushi, and we go to Mexican restaurants.

You're kinda the Mexican food guru now. Since Las Vegas Weekly did a feature on your love for Los Antojos, you've got every foodie and critic loving that place.

Isn't that funny? I went to talk to that lady shortly after that happened, and I told her, "I wish I got that much press for my restaurant!" I feel like the pope when I go in there. I’m so happy for them, though. I suppose it is still a hole in the wall, but their food is just done really well. Actually it was introduced to me by a busser. I haven’t gone in a while.

So now you are in charge of finding the next great Vegas hole in the wall. Give me a good pick.

There are so many great ones in Chinatown, Raku, Monta. I'll tell you, I think I might have been to Pho So 1 five times in a week. It's great, very consistent. It's always good, and the service is great. And you know, you can’t even cook a meal for yourself for six bucks. It's amazing how low the prices are. I get the number 14. Just go and tell them you want the one Chef Alex likes. It's got the tripe and the tendon and all the good stuff chefs like to eat.

the definitive vegas pizza.

One of my earliest Vegas food memories is munching on two slices of New York-style Verrazano Pizza, a tiny shop on North Rainbow Boulevard. It's pretty straight-ahead pizza, wide slices of cheesy, thin-crust goodness. The place was mostly oven, always hot as hell with a frequently broken soda machine, but located conveniently within a quick bike ride for an 11-year-old trying hard to get acclimated to desert life. There had been plenty of pizza before Verrazano, and even more after, but that slice was genre-defining. So it goes with childhood, no?

The original pizzerias of Las Vegas were all from New York. There were three: Villa Pizza started in 1976, Verrazano in 1978, and Metro Pizza in 1980. All three grew into multiple locations around the valley, some of which are still operating today, and many more similar and different pizza shops soon followed. For Carmine Vento, the man behind Villa, selling pizza by the slice turned into a mammoth operation, a national franchise he sold in 2000. Vento still works in the restaurant biz in Vegas, licensing his brand to some and operating others (Carmine's Pizza Kitchen). Verrazano is still around in various forms, perhaps adrift in a sea of pizzerias pitching the ubiquitous New York slice. And of course, we've got a new breed of pie in Vegas, gourmet coal-fired pizzas and certified Neapolitan pizzas and all kinds of stuff. I've been eating them. They're all delicious.

But if there's a pizza shop that is truly Vegas' own, it has to be Metro. It's not because this is the best in town, though it certainly needs to be part of that conversation. Metro Pizza is simply tied to this city in a way very few restaurants are, linked to the families and people who work and grow up in Las Vegas, connected to a community and culture that so many claim doesn't exist. I remember trips to Metro's Flamingo-Decatur location, in all its 1980s, teal-pink-and-checkerboard glory. This is the oldest of its five local stores now. This was special occasion pizza when I was in middle school, when delivery from Domino's or Pizza Hut just wouldn't cut it.

But others have deeper, stronger connections. "Vegas was still small in 1980. Back then kids would ride horses to our first shop at Flamingo and Sandhill." Riding horses to pizza! You never thought that would happen in Las Vegas, did you? John Arena, co-owner, co-founder and overall pizza guy, has so many stories like this. "We changed that crazy decor at the Flamingo-Decatur store a while back, but people didn't recognize it anymore. They thought there was a new owner. So we changed it back. We have customers that came to us when they were in high school in 1980, and they're coming in with grandkids now. It's a very unique responsibility, to be here for multiple generations, and to live up to those expectations. If you ate this pizza as a kid, you're expecting a certain level of quality and service when you come back as an adult."

If you haven't figured it out yet, these people keep coming back for reasons other than nostalgia. The love of longtime Las Vegans, though powerful, is not what makes Metro undeniable. It could be that they put bacon on their Hawaiian pizza, or the eggplant calzone that's named after George Steinbrenner, or the fact that one slice of the Skyline stuffed pizza with sausage, onions, peppers, pepperoni, black olives and mushrooms is enough for two tasty meals. But it's not any of those reasons.

Arena, from Brooklyn, loves pizza, and he understands why and how everyone else loves it, too. He's traveled the world learning as much about this perfect food as he can, and he teaches a class about its history at UNLV. "In Las Vegas, you have customers from all over the country, all over the world, and they're not tourists. That's who lives here. You've got all these different people, and all these different opinions about pizza. I call it the Cognitive Theory of Pizza - what you're given as a child shapes your vision. People will say only pizza from Naples is true pizza, but the people of Rome would disagree. Purists say pizza shouldn't have to adapt, but there's a long tradition in Italian food of just that. We realized you could have endless debates depending on the current circumstances of pizza, so what we decided to do is embrace it all and find some common ground. We changed our name to Metro Pizza in 1986 to reflect that philosophy, and try to reflect the great pizzas of many different metropolitan areas, because in Las Vegas, everybody is from somewhere else." Could anything possibly make more sense? So when you order a Modesto or a New Haven off this menu, that's because Arena found something like that in that city, and he thinks you'd like a taste. At the Metro store on Tropicana near UNLV, there's a big map of the Pizza Hall of Fame, different cities with famous pizzerias marked. If you go eat at one of them, and then come back and talk about it, Metro will hook you up. Arena wants you to eat other pizza. He wants to teach you to make your own pizza. And yet you likely will return to eat his pizza. (It's good.)

"When you're putting a pizza on the table, you're not just competing with other pizza places, you're competing with all those childhood memories and all those associations. When it comes to pizza, there's a lot more going on that what's on the plate." I tell Arena about my associations, my slices of Verrazano, and how the mayor of Las Vegas once told me he couldn't find anything close to his back-home stuff so he called Metro and asked them to figure out how he could eat Philly pizza in Vegas. "His favorite pizzeria back home was using a very particular cheese blend, and that was his touchstone pizza. It's just like you, riding your bike to Verrazano. You probably got your first taste of personal freedom along with that pizza. It's the same way everyone's grandma makes the best food they ever had in their life. That's how people feel about pizza, and that's the responsibility I have ... to live up to all of that." I'm glad this pizza guy is taking his responsibilities seriously.

eddie d's does it right.

Update: Eddie D's has relocated to the southwest part of town.

Just make me a sandwich.

After all the decadent holiday eating, all the cookies, pies and sweets, all the expensive restaurant meals, there remains a substantial craving for something basic, something simple and satisfying. It's a sandwich. Meat, cheese and veggies matched up magically and piled inside a crusty, chewy roll. Is that so much to ask for? Not at Eddie D's Famous Italian Sandwiches, a new deli in northwest Vegas. The place is operated by a family of Jersey transplants. There's a deli case that contains all the imported ham, pepperoni, pastrami, dry cured capacola (they get all their meat from Thumann's) and other goodies you could want to take home, plus the family's own homemade meatballs, pasta, chicken or eggplant cutlets ... you want it, they got it.

And they know how to handle a sandwich. A regular is a choice of two meats (ham, turkey, corned beef, roast beef, Genoa salami, pepperoni, pastrami, soppressata, proscuitto, hot or sweet capacola), American, Provolone or Swiss cheese on a hard or soft roll, or white, rye or wheat bread, with your choice of hot or mild mustard, mayo, oil and vinegar, marinated tomatoes, onions, lettuce and hot or sweet peppers. That's a regular sandwich!

Pictured here is the slow cooked roast pork sandwich, shoulder meat cooked forever and seasoned slightly with provolone cheese on a hard roll. The roll sucks up all those savory-sweet juices, and by the last few bites it was something like a pork French dip; sandwich bliss. Other hot sandwiches include roast beef, a decent Philly cheese, chicken fried steak with sauteed onions or those tender, delicious meatballs. The menu also includes a selection of signature sandwiches named for Sopranos characters: the Furio is a flavor-packed pile of capacola, salami and an incredibly sharp Provolone, the Dante has prosciutto, fresh mozzarella and sweet roasted peppers. Long live the neighborhood deli.

lunching at enoteca san marco.

Update: The restaurant has changed it's name to Enoteca Otto.

Enoteca San Marco is the most approachable of superchef Mario Batali's three Vegas offerings. The newest, Carnevino, is a pricey Italian steakhouse in Palazzo, and the nicest, B&B, is the Vegas version of Batali's acclaimed NY spot Babbo, serving complex yet authentic cuisine from Venetian's casino-level restaurant row. ESM, just upstairs in the faux piazza of Venetian's Grand Canal Shoppes, offers that new Vegas classic of indoor alfresco dining. From this "patio," it's hard to ignore the European street performers, which could be good or bad for your dining experience. You could always seek refuge in the small but classy dining room.

The setting is perfect for the menu, which is designed to allow you to dabble in different wines (100 bottles under a hundred bucks), house-cured meats, imported Italian cheeses and interesting antipasti. You could spend forever on the cheeses, which are priced well for sampling at three for $14, five for $17, or seven for $21. Most of this artisanal formaggi won't be found elsewhere, so have fun tasting six-month old asiago or a two-year old parmagiano reggiano.

Perhaps due to the winter temperatures and hearty appetites they can create, we took the heavy road of pizza and pasta. Enoteca San Marco boasts an expansive selection of both, and a special pizza, pasta and salad option for every day of the week. On this Friday, the pasta of the day was linguine with veal bolognese, tasty enough, and the pizza of the day was a carbonara pie. After much debate, we chose pizza with chunks of pancetta, caramelized onions, tomato and Coach Farm goat cheese (pictured). The crust was thin and chewy, the tomato sauce was surprisingly sweet, but the ultra-creamy cheese took charge masterfully. Next time I'll go for the pizza Vongole, with mozzarella, clams and chili. For my filling entree, I devoured a plate of cavatappi pasta, perfectly al dente hollowed corkscrews, smothered in a rich lamb ragu with just enough mint to make things interesting (also pictured).

It's hard to order at Enoteca San Marco because everything appears so simple and appetizing. The menu is perfectly planned. It is the best place to munch bread, cheese and salami with loads of wine, and the Italian basics of salad, pizza and pasta are individually and artfully composed. And there's meat, too ... dinner options include grilled pork chop, braised pork shoulder with apple reduction, crispy duck, veal and ricotta meatballs, and the Tuscan fish stew Cacciuco. So the lesson is ... careful about which celebrity chefs you hate on, because some of them are really killing it.

pizzathon.

Note: An edited version of this post appears in Las Vegas Weekly.

DAY ONE: IT BEGINS

We can do this. It’ll be a breeze. Technically, we’ve done it before. I worked at a Godfather’s in Reno during the college days. For an entire summer, I made the wrong pizza just before my kitchen shift was over. Oops, guess I have to take that one home. And Maria’s father is crazy. He once put the entire family on an all-pizza diet and used it as an excuse to perfect his homemade recipes. After two months of pizza she was relieved to eat other things, but her dad still craved it as much on day 60 as he did on day one. Suffice to say, we love pizza, at least as much if not more than the general population. The fact that we refuse to eat Pizza Hut, Domino's, etc., is reason enough for me to believe we love it more than the average American. So here we are, enjoying some great pizza at Streets of New York in northwest Vegas, deciding this is the beginning of a week-long pizzathon. For seven days our only meals will be pizza, and we will enjoy every melty, spicy bite. This is a good place to start, because not only is the crust crispy and delicious and the tomato sauce slightly sweet, but we’re washing these two pizzas down with huge, frosty Shock Top Belgian White brews. Draft beer with pizza is an important factor. I'd say you can't have a proper pizza parlor without it, and you need to be able to order it by the pitcher. It may be a chain operation, but Streets of New York obviously respects the beer and an old fashioned experience. Plus, it's located in the Village of Centennial Springs, a near-empty retail walk built to look like Main Street USA, so the nostalgia cometh.

But the pizza is the important thing and this place does it right. There are some weird toppings to choose from, and plenty of other goodies on the menu like sandwiches, salads and calzone. If you're looking for a classic pizza experience in Vegas, I'd say there's good old Metro Pizza and then there are these guys ... flat-out good food.

DAY TWO: TACO PIZZA?
This Sunday morning finds me working in my brother’s backyard, shoveling rocks to augment his landscaping. It sucks, but luckily there’s fuel: leftover pizza in his fridge. I inhale a couple pieces, still cold. The cheese and sauce has congealed into spongy mush. It's gone before I think to ask where he got it from: Rosati's.

Diversification is going to keep this thing rolling. It can’t be all pepperoni. Enter the taco pizza, one of Maria’s favorites. She’s a longtime fan of this oddball delight, thanks to her Midwestern roots and a place called Happy Joe’s. This place actually serves a variety of Mexican pizzas, but the Taco Joe has a sauce of marinara mixed with refried beans, taco seasoned beef, sausage and white and yellow cheese, and then after the oven, shredded lettuce, tomato and crumbled tortilla chips. Our Vegas version is from Red Rock Pizza, which also boasts a variety of specialty pies. Its Taco Nacho pizza has seasoned ground beef, jalapenos, tomatoes, crunchy corn chips and two cheeses, so Maria says it’s close to home. “Interestingly, the tomatoes and lettuce are cooked on the pizza, under the cheese. I imagined this would be a huge mistake, but somehow it’s not,” she says. It’s seriously heavy, too, leaving plenty of leftovers for dinner. “It re-warms magnificently,” she says, and I agree. “After a few minutes in the oven it was fully restored to its tasty glory.”

DAY THREE: DOWNTOWN, THEN DEEP DISH
I work downtown. I have a few minutes for lunch and a five-dollar bill. That’s the exact cost of two slices of cheese and a can of Coke at Uncle Joe’s on Fremont Street. The paper plate isn’t big enough to accommodate these thin, greasy-in-a-good-way, New York-style beauties. A dash of crushed red pepper and they’ve disappeared.

Later, an impromptu celebration with friends is the perfect excuse to order way too much pizza. Rosati’s takes a while but eventually delivers a Chicago-style veggie and two thin-crust pies cut into square pieces (one pepperoni, green pepper and black olive, one Bianco with olive oil, tomato, garlic and spinach). The deep-dish is a beast and draws comparisons to lasagna from the uninitiated. The thick crust is filled with mushrooms, onions, green peppers and tomatoes, then covered in mozzarella and topped with pomodoro tomatoes. It’s got to weigh at least five pounds and I can barely take down a whole slice. I don't know how I feel about this Chicago business ... Maria loves it but I have a hard time comparing it to New York-style or Neapolitan-style pizza. It really is a different breed, one that hurts for a few days.

DAY FOUR: LEFTOVERS
Pizza is the best kind of leftovers. I know this for a few reasons, including: It’s great cold and it’s great reheated. (But only in the oven. The microwave is powerless here.) More importantly, it’s the only leftover Maria willingly consumes. This is ridiculous. Even if I bring home half a $50 steak, I have to cook it into something new to trick her into eating. But not pizza. Straight out of the fridge is just fine. So today is spent picking and munching at various pieces from the previous night’s feast. The deep dish holds up better the next day. “I’ll tell you why,” she says. “Because the little pizzas have to go in the oven to make them crispy and good again, but the big pizza is delicious even from the microwave.” Blasphemous.

But when dinnertime rolls around, I’m craving something fresh, so I stop at a tiny takeout joint on the way home and order the first thing that catches my eye. It’s got plenty of mozzarella and cheddar cheese, pepperoni and sausage, but it’s too ordinary and the white garlic sauce is … off. “It tastes tangy and weird,” Maria says. Still, I ate the whole thing. Maybe this is my second wind.

DAY FIVE: FROZEN IN TIME
We still have enough leftovers for breakfast and lunch, but by the afternoon we’re in need of something new. An attempt at frugality leads to the frozen section at Whole Foods. We leave with two Frontera brand pizzas, one roasted vegetable, Monterey jack cheese and poblano, the other a four cheese blend with tomato and cilantro. They crisp up nicely, but there’s no trace of poblano, cilantro or anything that tastes remotely fresh or Mexican. It’s still frozen pizza. We’re not sure if we should be mad at super chef Rick Bayless or not for these bland creations.

DAY SIX: LOST
I think I’m hitting the pizza wall. Everything is starting to blur together. Another couple of cold slices for breakfast, another couple of greasy, cheesy slices at noon. Maria switches it up with a pizza Hot Pocket for lunch. “The little cardboard thing didn’t really crunch it up, but I was really hungry,” she says. I stop at Albertson’s on the way home from work and the supermarket has never been more confusing. In the frozen aisle, some weirdo talks to me: “Wow, Freschetta for $4.99, that’s off the chain, huh?” I want to punch him. I end up at home baking a California Pizza Kitchen “Sicilian” thing and piling some microwaved barbecue brisket on top. This is going bad, real fast.

DAY SEVEN: FINISHING STRONG

I’m having problems, but Maria seems relatively unfazed. I’m hungry, but I can only eat pizza. No matter how creative we get, it’s still pizza. And I’ve learned that great pizza can be as satisfying as any gourmet meal, while bad pizza is truly terrible. So to wrap it up, we’re going to a sure-fire winner, Grimaldi’s in Henderson. I keep it simple with extra mozzarella and meatball, and like she always does, Maria out-orders me with pesto, tomato and roasted red pepper perfection (pictured). The sweet peppers with Grimaldi’s signature homemade mozzarella are pure bliss. I've written it before but it rings true every time I'm out in Henderson ... this is the pizza capital of the valley. Grimaldi's may not do true Italian the way Settebello does, and the crust may not be perfect every time, but it's so close. And the cheese is so unique and fresh, it almost makes a Summerlin dweller wanna move across town.

Thanks to reliably great pizza, we are rejuvenated. We could keep this marathon going if we wanted to, just as long as we stick to certain spots ... and stay out of the frozen food section.

parma pastavino and deli.

I know it's hard to believe, but I fucked up.

In June I wrote a review for Las Vegas Weekly on Mezzo Bistro in northwest Vegas. I've had dinner at this fine Italian restaurant several times since it opened in the spring of 2008, and I have known chef Marc Sgrizzi for years. That's the problem; familiarity can lead to laziness. This review goes into great detail about the chef and his daily specials, and by the time it was published, the chef was gone. He apparently sold the restaurant and was no longer involved with it for at least a month before I visited. Since the food and service at Mezzo remained of high quality and I was happy to write it that way, my mistake was more of a disservice to the former chef. When I discovered Sgrizzi had moved on quite quickly to open another Italian bistro and deli, I felt it necessary to give Parma a shot. Besides, this guy's food is good, so there's really no reason not to try it.

Located on Buffalo Drive just off Summerlin Parkway, this neighborhood cafe turned out to be the perfect neighborhood spot for a quiet dinner or a casual group meal. Small tables round the perimeter of the restaurant while a wine-and-snack-friendly lounge is the centerpiece. Display cases housing beautiful homemade desserts and imported meats and cheeses available by the pound rest in front of the active kitchen, where the chef and his crew are making their own pasta every day. Sgrizzi has retained his signature dishes, like the amazingly crispy, non-breaded eggplant parmesan and spinach lasagna in a tasty pink basil sauce. The carbonara is a faithful rendition of the classic dish, and like I raved about in my misguided Mezzo review, the specials here also change often and focus on fresh seafood or steak. The prices are just right, including a range of affordable wines.

This is the third Vegas restaurant for Sgrizzi and I have followed him to each one because his food is reliably good. Parma feels like the chef is in his zone, moreso than the other venues, and that's nice to see.

INTERVIEW: Mario Batali

Besides being one of the most recognized chefs in the world, Mario Batali has a stake B&B and Enoteca San Marco at the Venetian and CarneVino at the Palazzo.

Your newest Vegas restaurant is Carnevino at the recently opened Palazzo resort. Why did you decide to open your first steakhouse, and how did you settle on this approach?
Mario Batali: I love the simplicity of the steakhouse experience but always felt short of options eating at one. We combined perfect American beef with the magnificence of the Italian table and came up with Carnevino.


Your other Vegas eateries are B&B and the more casual Enoteca San Marco, both in the Venetian resort. How do those menus and dining experiences play off each other?
Each has its own feel, menu, chef and style. The most casual is Enoteca, which is open all day for anything from an elaborate four-course meal to a simple pizza and a gelato. B&B is the full magilla for dinner only and is a bit more formal and ambitious, along the lines of our flagship Babbo in New York City.


You chose to expand your empire into Las Vegas after the celebrity chef wave had been in full swing for several years. Was that intentional, or what influenced the timing of Mario Batali in Vegas?
It took us a long time to find the right place and deal ... Rob Goldstein and Lou Silvestri had a lot to do with it. We do not like the idea of a licensing agreement so we actually own the restaurants with the Venetian and really enjoy the collaboration.


Do you spend much time in Las Vegas? Do you get to try other restaurants?
I am there every six weeks and almost never leave the Venetian and Palazzo, except to play golf.


How would you describe the culinary reputation of Las Vegas versus a more established dining city like New York?
Vegas is in the top three gastrodestinations in the country due to the incredible variety of options and the serious nature of the competition.


You've been popping up lately on a lot of episodes of "Iron Chef America." If you could battle one chef, who would it be?
Tetsuya (Wakuda, Japanese-born chef based in Australia).


What is your newest project, or what is keeping you busy right now?
Right now I am chilling for the bulk of the summer with my wife and kids. In the last 16 months we have opened five restaurants, I shot my new TV show for PBS in Spain with Gwyneth Paltrow and I wrote two books. I am gonna work on my short game for a month or two.

INTERVIEW: Mimmo Ferraro

Mimmo Ferraro is executive chef at the long-popular Ferraro's Italian restaurant.

You're a young chef but you've already logged quite a bit of experience. What was it like growing up in a Vegas restaurant like Ferraro's?
Mimmo Ferraro: I've always enjoyed this business, and it's always been a big part of my life and my family. But Ferraro's didn't start out as a high-end Italian restaurant. The first business was a deli and pizzeria, so it was a lot different. And I've been working since I was just a little boy. Back then it was like, "Go price those tomatoes!" And running around playing cops and robbers in the deli. But I've always loved cooking and I started cooking at a very young age, too. I think I started making pasta when I was six or seven years old.

Did you always know you'd be following in the family business and becoming a chef and restaurateur?
There was a time when I wanted to be an architect for a while, but ultimately I knew I'd always be in this business. It's not an easy business to be in, but I really enjoy it and it's just the thing for me. Some people say you are born with a gift. I really enjoy what I do, and my food is good.

When you finished your education, you spent some time in Italy, mostly Tuscany, before returning to Las Vegas to take over the kitchen at Ferraro's. Was it difficult to step into your father's footsteps? Did you want to make a lot of immediate changes at Ferraro's?
It wasn't easy. Even though we're an off-the-Strip restaurant, still about 90 percent of our business is from tourists and convention business. We have regular tourists. They come into town from wherever and no matter what they're in Vegas to do, they're going to visit us. It's the same faces. And they're used to coming to Ferraro's and getting what they've been getting for the last 20 years. My style of cooking is very different from my father's. He's from the south. My father was born in Calabria, and they cook a certain way there. It's heavier. It's those deep red sauces, the eggplant, the great sausages. Mine is a little bit lighter. We've always thrived on using the best products available, but when I came in we started making everything in-house, not just all our sauces which we make every day, but even the sausage, the pasta, the ravioli. Everything is made fresh daily. We'll come in and make the pasta fresh for that day, and we might run out if we're very busy. But that's how we make sure we giving the best product we can serve. That's something that's never going to change.

Was it hard to bring your own style to the kitchen without alienating people who expect certain things?
Well the biggest fight was with my father. "It's my way because it's my restaurant." Really, we always saw eye-to-eye about things, we just had different opinions sometimes. He's very much an Old World Italian. But to me, we have the best combination possible. It's the Old World with the new.

Besides all the growth, how have you seen the world of dining in Las Vegas change over the years?
Las Vegas wasn't always considered the way it is now. What, are we the number two or number three culinary city? I think Vegas has become more sophisticated. People understand quality, and they're not scared to pay for what they're getting. Every year it gets busier and the prices have to adapt. You know, we're a $20 cab ride both ways from the Strip. So that means we have to offer something as good or better just to get them to come back. We have to adapt to that environment as well.

What is your approach to pleasing locals?
We do a lot of different things for locals. We have a great happy hour all week with half-price appetizers and buy-one-get-one drinks. We have an extensive wine list with over 1,200 wines, and we do half-off the wine list for locals on the last Sunday. We're a different kind of restaurant here. People come here because we're one of the last true family establishments left, and I think that's something locals and out-of-town people appreciate. You know, my mother is here, my father is here, my nephew is running around in the kitchen. We get to know our customers, and I think they appreciate and recognize that difference. People
don't feel like they're in Vegas when they come to Ferraro's for dinner.

What's next for you and Ferraro's? Any expansion plans or new projects in the works?
We're making changes every day, even if it's something small. My father's going to Italy a few times a year and coming back with great additions to our wine list, stuff you can't get anywhere else. And as far as something new, I'm getting into the tavern business. I have a partner and we're going to open a new place called Wiseguys, which is going to be a tavern that serves classic Italian food, and it's going to be in the North Las Vegas area of town. Maybe we'll be expanding it later, but that's a new venture for me and it's exciting. Of course, you won't be able to come into the tavern and get the osso bucco like at Ferraro's.

INTERVIEW: Luciano Pellegrini

Luciano Pellegrini is chef and partner at Valentino in the Venetian and Giorgio at Mandalay Bay.

What's new at Valentino? How has the restaurant changed over the years?
Luciano Pellegrini: It was a very good year for us at Valentino. We first opened in 1999, right with the opening of The Venetian, and we've changed our look a couple of times over. The restaurant definitely looks different now. That's just something you have to do in Vegas to keep things fresh. And I believe the food has improved as well. You know, we're not a cookie cutter restaurant. We're still very much about first class service and food, and we've managed to stay that way.

How would you describe your vision for the restaurant when you first came to Vegas in 1999?
Well we came to town not as pioneers in Vegas but really in that second wave of big resorts opening up shop at the time. There was not a lot of fine dining Italian restaurant experiences on the Strip at that time. In fact there was nothing like what we wanted to do. That was our vision, to be the restaurant in that category. And really the work comes in maintaining that high reputation.

As a young man and burgeoning chef in Italy, you served as a parachutist in the military. What made you want to volunteer for that duty? And are there any similarities between jumping out of planes and running a couple of restaurants on the Strip?
Yes that's true. I remember being with all my friends, who also all volunteered for military service because really, everyone did at that time, it was expected, and on the first day of orientation this guy came in and started asking who wanted to be a parachutist. I really didn't know what I was getting myself into. I raised my hand, and that was that, I was one of about four guys out of 100 to do that. It was pretty intense. Obviously jumping out of a plane gives you quite a rush. After a while, I had done what I needed to, and I said that's enough for me, and I returned to doing what was my destiny to do for the rest of my life. But I did learn a lot of valuable lessons from being in the military, besides working at one time to serve three or four thousand meals, lunch and dinner, in the service. The kitchen can be very militaristic. The chef is the supreme being; the sous chef is like the lieutenant. Things need to go in a certain way with no questions asked, and being in the service definitely taught me to keep that order when in the kitchen. But you also need to know when to give someone else the room and space to operate on their own.

A lot of big time chefs have come to Vegas in recent years, but you are one of a very small group to be honored with the prestigious James Beard award. How important is that type of recognition?
I mean, what can you say? It's kind of huge. It took about a year for it to really sink in, that I could win something like that and what it meant, considering how many talented chefs there are out there. It was really a combination of things, a combination of timing, talent, luck, a little bit of everything. That's not to say that I rest on an accomplishment the day after. It was never my ultimate goal to win something like that, but it was a very pleasant surprise, very rewarding.

Awards are one thing, but the real competition among restaurateurs in Vegas seems to be where the hottest restaurant is, and how you can maintain that edge.
The hardest thing you can do is to maintain a spot as one of the top restaurants in town. Las Vegas is growing in so many ways, and the restaurant market is not to be underestimated. This is a place to shine, a place with opportunity for the underling to move up and the chance to gain recognition for the star chef. A lot of people come in ready to find success, and some have, and most have not. It's very difficult.

Giorgio at Mandalay Bay has become a popular, more casual restaurant. How do you compare it to the Valentino experience, and do you enjoy the differences between the two?
Well after the first year at Giorgio we really kind of stepped aside and let chef de cuisine Nico Chessa take over and do his thing, and he's doing a great job over there. We decided to really let him express himself to the highest degree, and it has been to the ultimate benefit of the entire company. It's vital for a restaurant to establish its identity, and Giorgio is a place to go for a good meal, to enjoy a pizza, and not get hurt too much in the wallet. It was fun to start a new project like that. New projects always bring a lot of excitement, and it was a great experience. Slowly but surely, it has come along, maybe a little slower than we thought. But it's doing very well.

What does the future hold for you and the Valentino group? Any expansion plans?
We are keeping our eyes open. We've had a lot of talented people leave our company to go find other opportunities. Las Vegas has turned out to be not such a great bet after all for many restaurateurs. But we're always considering our next move.

bartolotta, one of a kind.

Paul Bartolotta is a very celebrated chef, and his seafood-centric Italian restaurant at Wynn on the Strip is, likewise, a very celebrated destination. But no matter the richness of the resort or the dining room or the Midwest legend’s reputation, it all comes down to the food. At Bartolotta Ristorante di Mare, the food is delivered with simple elegance, in a manner reflecting the chef’s reverent respect of the region he’s trying to present to his fortunate diners.

Sure, it was named one of Esquire’s best new restaurants in 2005 and snagged the AAA Four
Diamond Award in 2006. And it earned Bartolotta another James Beard Award nomination,
even though he already won one in 1994. As grand as these accolades might be, and as
spectacular as the restaurant strikes you as you are lead through gold and rich red decor,
past columns and huge urns and down a dramatic spiral staircase to a light, plush dining room
overlooking serene waters, remember that this is a house built by a guy who loves what the
Italian seas have to offer. Yes, the place is a bank-buster, but it’s worth it with the consolation
that Bartolotta offers one of the most unique dining experiences in the city and an authentic
and creative twist on Italian food that the non-traveling American might never know.

Fish is the thing here, and it's sold whole by the gram. Seafood is delivered fresh daily, and
you don’t have to believe it because your server is going to bring you those whole, fresh fish
and shellfish on a giant silver tray and describe each of them in detail. The offerings change
frequently but sometimes include black striped bream, sea bass, turbot, spiny lobster, purple
snapper or John Dory. The preferred preparation is to roast the fish whole with a select few
seasonings, such as a white wine and clam broth, in order to bring out the subtle flavors, and
then serve them with a duo of simple but tasty sauces.

The menu is divided up in the traditional Italian manner, so you can run through your antipasti and pasta courses or mix and match. Antipasti selections are incredible and inventive, such as grilled cuttlefish with langoustines in a slightly minty tomato broth, or parmesan custard with basil, leeks and asparagus. Pasta dishes can be with or without seafood, including a creamy potato gnocci or a shellfish-laden risotto.

The presence of a restaurant like Bartolotta, and its success among the other fine options at
Wynn Las Vegas, only proves the evolution of the Vegas dining scene. A world-class, one-of-a-kind meal like this could only make sense in a one-of-a-kind place like ours.